hennig

knoche

markowski

„[...] the "present" constitutes the distributed musical material, in which the "new" implies the "having been" distributed, with which the "yet-to-come" has to have a mutual background with [...]“
the ensemble extends musical improvisation with electro-acoustic instruments that are connected to a network based on audiosignals and network-communication. the aim of this project is to create transient- and spatial situations in this musical network through improvised musical articulation.
the musical material of each of the performers is distributed to each of the clients of the improvisation-network. the transformation of the sounds is realized by self-programmed electro-acoustic instruments. an electro-acoustic language arises in which the musical vocabulary and musical gesture is affected, influenced, and manipulated by each of the part-taking soloists.
for concerts, the ensemble is positioned in the middle of the space. a multiple loudspeaker-setup is positioned around the ensemble or sited acousmatically within the space.
by spatialisation of the sounds through multiple loudspeaker-configurations, each soloist is enabled to use different methods to project the sounds into the space. spatialisation becomes part of musical improvisation & improvised spaciousness.
the "+" means that guest musician oftenly accompany the ensemble for concerts or recordings.
| 2002-2004 | colloquium for elektroacoustic composition at the SeaM (Studio for elektroacoustic Music) at the HfM franz liszt with robin minard |
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| 1999 | participation at the summeracademy "audio- vision" at the erich-tienhaus institute in detmold |
| 1997-2004 | studies at the university of aplied sciences dortmund, bauhaus-university in weimar and conservatory HfM franz liszt in weimar |
| 2008 | white nights (balta nakts) - raumklangkonzert, RIXC riga (LV) aug 08, 8 kanal audio/livestream (w. sciss/markowski/sienknecht) |
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| HKM+ - raumklangkonzert, strings delmenhorst jul 08, 4 kanal audio (w. hennig/knoche/robert rehnig - prep. piano/live-electr.) | |
| urban spaces - raumklangkonzert/installation, RIXC riga (LV) mar 08, 12 kanal audio/livestream (w. sciss/markowski/sienknecht) | |
| 2007 | VICE VERSA: a soundart-project of the SeaM weimar - robin minard, hanns holger rutz, ludger hennig, robert rehnig. soundinstallation @ wasserspeicher prenzlauerberg, berlin. wide/narrow, centrifugal / peripheral, hermetic/ open... [www.singuhr.de] |
| radiosculptures @ international festival for soundart berlin, deutschlandradio kultur: robin minard, ludger hennig, constantin popp. three radio-play-formats as soundobjects: "blogspiel", "wurfsendung", "geraeusch des monats". [www.adk.de] , [www.dradio.de] | |
| 2006 | empty room: soundinstallation in the former stasi-remand centre @ erfurt andreasstreet within the exhibition "einschluss II/ listening imprisonment, erfurt/germany |
| rigid string geometry: soundinstallation within the "openstudio" @ sonambiente soundart-festival fuer heoren uns sehen 2006 @ tesla/podewil, berlin/germany | |
| 2005 | wooden works: soundsculpture-studies with wooden plancks and transducers, bremen, weimar/germany |
| shadow: soundinstallation with steelplate and rust-pigments, weimar/germany | |
| 2004 | contured: permanent soundinstallation, steelobject - Cor-Ten, 2 channel audio, near bremen/germany |
| 2003 | speaking walls: sound-study for a little booth, 2 chnl audio, weimar/germany |
| klangbild: soundinstallation with steelplates, 8 channel audio, hafenbecken F, bremen/germany | |
| 2002 | eisen_fern: soundinstallation with steelplates, 6 channel audio, INVENTIONEN 2002, berlin/germany |
| 2001 | displacement: interactive video- und soundenvironment, 2 channel audio, weimar/germany |
| 1999 | B1: soundinstallation for a federal road, dortmund/germany |
| since 1995 | working on experimental sound-design and soundinstallations. |
| 1997-1999 | manhattan school of music, new york, new york |
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| master of music, jazz performance for saxophone | |
| 1989-1994 | conservatory of music and drama of hannover, germany |
| bachelor of music, music-education in jazz, rock, pop for saxophone |
| with lee konitz, the new york voices, steve lacy, albert mangelsdorff, butch morris, art baron, nahawa doumbia, manhattan jazz orchestra, rodney jones, tuvenian throat singers Huun Huur Tu, miles okazaki, miguel zenon... |
| 2006 | miles okazaki - mirror |
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| alec berlin - beauty, grazing at the trough | |
| 2005 | nils fischer - gracias joe cuba |
| don peretz - foremen. fresh sound records | |
| butch morris - live at zebulon. zebulon records | |
| mika pohjola - yuletide voices. change records. | |
| 2003 | lou garrett - into the fall. |
| christof knoche - line zero. omnitone records. | |
| 2001 | rodney jones - soul manifesto. blue note records. |
| 2000 | brem`ns jazzleben - sweepin` the blues away. |
| 1999 | manhattan jazz orchestra - live at birdland. |
| 1998 | manhattan jazz orchestra - live at hubbard hall. |
| 1996 | global groove world band - live vol.I. |
| 1994 | ulrike janssen - up and down project. |
| 1993 | proust - proust, vol.II. |
| 1998 | downbeat magazine. u.s.a. |
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| -downbeat award: winner of the 1998 worldwide competition for the best student ensemble of the renown magazine. | |
| 1997-1999 | academic exchange service. germany. |
| -scholarship recipient: selected as one of the three students for an exclusive academic program providing the opportunity for individuals to pursue professional studies at the manhattan school of music. 1997-1999. | |
| 1994 | -jazzpodium award: consecutive winner of the 1993 and 1994 nationwide competition encompassing performance and compositional works for jazz ensembles. |
| 1993 | jazzpodium music competition of lower saxony. germany. |
| since 1998 | working with soundsynthesis- and control-techniques |
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| since 1992 | work on experimental instruments and soundinstallations |
| since 1989 | work on concepts for musical improvisation |
| since 1984 | musician in div. ensembles |
| 2008 | white nights (balta nakts) - raumklangkonzert, RIXC riga (LV) aug 08, 8 kanal audio/livestream (w. sciss/hennig/sienknecht) |
|---|---|
| HKM+ - raumklangkonzert, strings delmenhorst jul 08, 4 kanal audio (w. hennig/knoche/robert rehnig - prep. piano/live-electr.) | |
| urban spaces - raumklangkonzert/installation, RIXC riga (LV) mar 08, 12 kanal audio/livestream (w. sciss/hennig/sienknecht) | |
| 2007 | fünf+1 - raumklangkonzert, kl. wasserspeicher berlin sep 07, 16 kanal audio (w. sciss/hennig/sienknecht) |
| FUSION festival jun 07, w. subsonance [SUBSONANCE] | |
| 2006 | berlin "salon bruit" lichtblick may 06, 4 kanal audio (m. sciss/sienknecht) |
| ISCM world music festival stuttgart jul 06 [WNMF 2006 - ISCM] (w. sciss/hennig/sienknecht) | |
| basel (CH) jul 06, 4 channel audio (w. sciss/hennig/sienknecht) | |
| erfurt former stasi-remand centre, sept 06, 6 channel audio (m. sciss/hennig) | |
| diverse concerts w. monorind/subsonance | |
| 2005 | 2hkm 2005 berlin (with alderk hespos, christof knoche, ludger hennig) |
| 2003 | three the hard way 2003 bremen (with christof matysiak, marco heimann) |
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| 2000 | klanglawine 2000 former vaupelhaus bremen (with stefan schaedlich) |
| 1997 | noise gate jazzfestival hannover 1997 (with hanns claus, hans kaemper, uli orth) |
| 1996 | 2 gute menschen/2 good beings, KLANGRAD, staatstheater hannover 1996 (with christof knoche) |
| 1993 | improvisationen hannover 1993 (with rudi mahal, michael griener) |
| 1992 | let there be tv / "der gruß vom !", documenta IX kassel 1992 (with alderk aespos) |
ludger hennig - mail: info [AT] strom-musik [DOT] org
da hab ich nix mit zu tun, mit was auf diese seite steht oder was auf andere seiten von diese seite aus verbunden ist mit !
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